Future Possible: An Art History of Newfoundland and Labrador by Mireille Eagan
An Art History of Newfoundland and Labrador
Hardcover, 296 pages, ISBN: 9781773102047
Published by Goose Lane Editions, 2021
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From the publisher:
In Future Possible, Mireille Eagan and other writers and artists navigate the tangled histories and cultures of Newfoundland and Labrador to investigate the visual output and to write the narrative that it has created.
The result is an ambitious volume, arising from a two-part exhibition of the same name at The Rooms, that provides a multi-vocal, multi-faceted history spanning pre- and post-Confederation Newfoundland.
Lavishly illustrated with reproductions of original works and installation views, Future Possible features essays by curators and artists on topics such as pre-Confederation art; contemporary art, craft, and Indigenous culture; and outsider and folk art. This intriguing volume places artifacts from the province’s history and work by iconic Newfoundland and Labrador artists such as Gerald Squires and Mary Pratt in conversation with works by contemporary artists like Jordan Bennett and Kym Greeley. Together they explore how history is told and retold through objects and images and how these objects and images, and the power structures that preserve them, define an understanding of place.
Contributions from Mireille Eagan, Jamie Fitzpatrick, Andy Jones, Heather Igloliorte, Jeff Webb, Darryn Doull, Bushra Junaid, Cory Thorne, Kelley Totten, Patricia Grattan, Gerard Curtis, Caroline Stone, Craig Francis Power, Christopher Pratt, Logan MacDonald, Lisa Moore, Eva Crocker, Andria Hickey, and a foreword by Anne Chafe.
Praise for Future Possible: Art in Newfoundland:
“Scenes of Newfoundland and Labrador that will never cease to amaze you. The volume includes an incredible variety in art, time period, and styles; from legendary artists such as Gerald Squires to more contemporary ones like Kim Greeley.” —[EDIT]ION magazine
About the author:
is curator of contemporary art at The Rooms Provincial Art Gallery, St. John’s. Prior to this, she was curator at the Confederation Centre Art Gallery in Charlottetown, Prince Edward Island. Eagan has lectured nationally on Canadian art and has published several catalogues and essays on Canadian artists. She has a special interest in promoting the activities of artists based in the Atlantic provinces.
(Credits: Publisher’s description has been retrieved from BiblioShare. Photo of front and back cover by Dahlia Katz.)